bsh1 Memorial Profile Pick of the Week No. 6- APOCOLOCYNTOSES (DIVI) BRIANII

Author: oromagi ,

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SUNDAY MORNING

  I

Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.


       II

Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.


       III

Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.


       IV

She says, “I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?”
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven’s hill, that has endured
As April’s green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow’s wings.


       V

She says, “But in contentment I still feel
The need of some imperishable bliss.”
Death is the mother of beauty; hence from her,
Alone, shall come fulfilment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.


       VI

Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set the pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.


       VII

Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.


       VIII

She hears, upon that water without sound,
A voice that cries, “The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.”
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.

-Wallace Stevens
oromagi
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Diffugere  nives, redeunt iam gramina campis
    arboribusque comae;
mutat terra vices et decrescentia  ripas
    flumina praetereunt;
Gratia  cum Nymphis geminisque sororibus audet
    ducere nuda choros.
Inmortalia ne speres, monet annus et almum
    quae rapit hora diem.
Frigora mitescunt zephyris, ver proterit aestas
    interitura, simul
pomifer autumnus fruges effuderit, et mox
    bruma recurrit iners.
Damna tamen celeres reparant caelestia lunae;
    nos ubi decidimus,
quo pius Aeneas, quo Tullus dives et Ancus,
    pulvis et umbra sumus.
Quis scit an adiciant hodiernae crastina summae
    tempora di superi?
Cuncta manus avidas fugient heredis, amico
    quae dederis animo.
Cum semel occideris et de te splendida Minos
    fecerit arbitria,
non, Torquate, genus, non te facundia, non te
    restituet pietas;
Infernis neque enim tenebris Diana pudicum
    liberat Hippolytum,
nec Lethaea valet Theseus abrumpere caro
  vincula Pirithoo.

Book IV, Oda vii

-Horace


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--> @oromagi
It says he is banned til 12.06.19??? That is today

Are we seeing a second coming?
oromagi
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(remember when I dumped this poem in a Trump debate and we had to start again?  good times)
(thanks to armoredcat for asking)

The Sheep Child

Farm boys wild to couple
With anything      with soft-wooded trees   
With mounds of earth      mounds   
Of pinestraw      will keep themselves off   
Animals by legends of their own:   
In the hay-tunnel dark
And dung of barns, they will   
Say    I have heard tell

That in a museum in Atlanta   
Way back in a corner somewhere   
There’s this thing that’s only half   
Sheep      like a woolly baby
Pickled in alcohol      because   
Those things can’t live.      his eyes
Are open      but you can’t stand to look   
I heard from somebody who ...

But this is now almost all   
Gone. The boys have taken   
Their own true wives in the city,
The sheep are safe in the west hill
Pasture      but we who were born there
Still are not sure. Are we,
Because we remember, remembered
In the terrible dust of museums?

Merely with his eyes, the sheep-child may   

Be saying      saying

         I am here, in my father’s house.
         I who am half of your world, came deeply
         To my mother in the long grass
         Of the west pasture, where she stood like moonlight
         Listening for foxes. It was something like love
         From another world that seized her
         From behind, and she gave, not lifting her head   
         Out of dew, without ever looking, her best
         Self to that great need. Turned loose, she dipped her face   
         Farther into the chill of the earth, and in a sound   
         Of sobbing      of something stumbling
         Away, began, as she must do,
         To carry me. I woke, dying,

         In the summer sun of the hillside, with my eyes
         Far more than human. I saw for a blazing moment   
         The great grassy world from both sides,
         Man and beast in the round of their need,
         And the hill wind stirred in my wool,
         My hoof and my hand clasped each other,
         I ate my one meal
         Of milk, and died
         Staring. From dark grass I came straight
         
         To my father’s house, whose dust
         Whirls up in the halls for no reason
         When no one comes      piling deep in a hellish mild corner,   
         And, through my immortal waters,
         I meet the sun’s grains eye
         To eye, and they fail at my closet of glass.
         Dead, I am most surely living
         In the minds of farm boys: I am he who drives
         Them like wolves from the hound bitch and calf
         And from the chaste ewe in the wind.
         They go into woods      into bean fields      they go
         Deep into their known right hands. Dreaming of me,   
         They groan      they wait      they suffer
         Themselves, they marry, they raise their kind.

-James Dickey