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@PressF4Respect
Re: "She be starin..." [post 01.05.20 (the first of this thread)] - allow me to introduce you to another woman who is also staring [and starring]:
"The Awakening Conscience (1853) ['TAC']...by the English artist William Holman Hunt,...depicts a young woman rising from her position in the lap of a man and gazing transfixed out of the window of a room." [The Awakening Conscience - Wikipedia] + "The Light of the World [1851] is an allegorical painting...by... [Hunt] (1827–1910) representing the figure of Jesus preparing to 'knock on an overgrown and long-unopened door, illustrating Revelation 3:20 [*]'" & "Hunt intended this image to be The Light of the World's "material counterpart" [The Light of the World (painting) - Wikipedia]
While informative, those articles don't mention that Hunt's paintings can be cleaved, 'across time', by aligning the arches, producing a rebus that has a heights ratio of 1:1 & a bases ratio of 2:3 [*'a cleft of 23'].
1, 1 & 2, 3 are a "two by two" (Luke, 10:1 [but not Genesis, 7:2]) set of the first 4 numbers of the Fibonacci series, which relates to "the Divine Proportion".
Elements of 'TAC' ['CAT' reversed (optionally, referencing 'LEO-NARDO': a cleft of 3-5 [5-3 reversed] letters)] (18~53) extend 'back' into 'TL-W', and the dotted collar on the French CATIN: WHORE is similar to the collar on a Christ-like figure of 'TL-W', haloed by a Hunter's Moon [maybe, re the autumnal colours of the weeds around the door]. Is a seemingly 'fallen woman' having an epiphany that links her to one who rose? 'P.S.' re: John, 20:19 & 26 - in a context of 19:26 - my muse/Nous-assisted ken of Jesus' resurrection may differ from yours, PressF4 Respect [if the doors were locked, no~body could have entered - do you agree?].
If you're intrigued by Leonardo's depiction of his 'muse', you might like to note that "Homo Vitruvian"/"Vitruvian Man", of "Divine" proportions, displays a square and a circle, but hides a pentacle/the 5-pointed "Star of Venus" (& Venus is the first 'star' to appear and the last to be seen) - an ancient sign that can be linked to Is'tar of Ur , one of whose symbols was a Lion & who, like Inanna before her, personified both Love and War, which are often viewed as opposing concepts. Look behind the mask of War & you will find three faces of Love (as I was led to understand by J') - the reasons people choose to make war; the Akkadian/Sumerian/Chaldean cultures were very wise, IMHO.
PressF4Respect: the time has come for the last post in this thread, methinks, & it would be apt if you were to post it; so, quit staring!
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@zedvictor4
Find an image of "The Shepherds of Arcadia" (version 1: 1627) and, to the left, place a reversed horizontal perspective of that image, cleaved with/joined to it.
In the cleft, the clouds above "The Shepherds" form "Large and Small" [http://en.wikipedia.org/wiki/Plato] cats' faces (with the smaller face set between the eyes of the larger one) &, below them, is a HORSE-like form that can be deemed to be wearing shorts [!].
B.T.W. re my previous mention of the cipher, 'PAR [+] LA CROIX ET CE CHEVAL DE DIEU J'ACHEVE CE DAEMON' - that's part of a "Large" cipher of 64 [+] 64 letters (128 letters), which holds a "Small" cipher of 1'28 letters (i.e. 'J'ACHEVE CE DAEMON DE GARDIEN A MIDI'), that had to be decrypted via a very irrational method.
The code letters were set out on two chessboard templates & two "knight's tours" (of opposing perspectives) had to be made to spell out the 'message', which WAS NOT devised by a Belgian con-artist, "Philipde Chérisey [of Priory of Sion (P - S) hoax 'fame'],an associate of Pierre Plantard's..., [who] later claimed that he had devised thismessage and the parchments [sic] in the early 1960s" [http://www.bibliotecapleyades.net/merovingians/merovingios_renneschateau08.htm].
The real author of a two-sided parchment sheet encrypted his identity in a 'CROSS' of '1 [+] 2...2 [+] 1' letters, set as a P.S. to an encrypted transcription of John, 12:1 - 11, which he set in a cleft of 20 & 2 [22*] lines in a "Large" text based on part of the gospel by "the other disciple, whom Jesus loved" (John, 20:2 [a cleft of *22, 'BY THE CROSS']).
P.S. A set of '1+1' set over '1+1'/'2 by 2' phrases below that cipher allude to a postscript (P.S.) of 4 verses to John, 12:11, with the last 2 verses being: "And Jesus, when he had found a young ass, sat thereon;as it is written, [+] “Fearnot, daughter of Sion: behold, thy King cometh, sitting on an ass’s colt", in the King James Version (KJV) of the Bible, originally edited by Sir Francis Bacon ['SI (R FRANCIS BAC) ON'].
P.P.S. hopefully, 'zed' [&, yes, I'm fine with you addressing me as 'U' - or you could call me 'St' (re: one of J's 'hints': 'Keep it simple, St...' ['Stupid'? 'Stephen'? both?] by the time my (curiously 'pro-active') muse/Nous opts to re-incarnate - "as time goes by" - "the literature" about an ostensibly French "mystery" [http://andrewgough.co.uk/hoax/] will have been purged of articles that accord a Priory of Sion 'secret society' undue credit for a set of texts that underlie it. While I, 'Stephen', don't have any relationship to the 'avatar' J' opts to be, I don't want him/her/'hir' [if 'she' opts to be born intersexed again (as in this round of 'her' 'game/s')] having to deal with not only a naughty-minded muse's often cryptic 'hints', but also a metaphorical mountain of crap in a multitude of misleading articles written by successfully-hoaxed writers (e.g. "Rennes-le-Châteauand the successful narrative of Pierre Plantard" [http://www.marianotomatis.it/blog.php?post=blog/20110827§ion=english]).
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@zedvictor4
From my perspective, 'zed', your mental image doesn't agree with mine.
Here's a thought that may distract you - what came to mind when I cleaved the CAT~IN image: 'This isn't the first cleft pussy you've seen'.
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@zedvictor4
Have I given you (too much) food for thought, or can you handle 'a second course'?
Leonardo's & Poussin's [+ Rospigliosi's] "works of Art [& Ars (Cryptographica)]" integrate 'opposing' perspectives. Consider the question, "What happens after we die?"
Two opposing views are: 1. there's an "afterlife" & 2. there's nothing after this life. Both can be deemed true, at the same time, in a context of Rospigliosi's "instinctive and rational...female and male partners" [http://www.cockaigne.org.uk/Productions/rospigliosi.html], re (e.g.) my conscious mind persona & 'one' who controls a traditional 90% of 'my mind (reputedly)' that I can't control.
According to one 'suggestion' from my muse (in a context of [deemed]results of some relatively recent studies: the conscious mind - at times - acts on 'suggestions' or 'prompts' from the subconscious mind), 'Possession is nine-tenths of the lore'.
Also according to my muse, 'I can read the codes because I wrote them', which confused me, initially - until I deemed the first 'I' to be me, 'Stephen' [re another 'hint': 'Stephen is just an egotistical persona, based on supplied data and assumptions about my identity; it's not who I really am'], and the second 'I' to be my 'female partner', 'who' is currently playing another round of 'a game from behind' that's played by 'her' and 'her' ilk, time after time. "..we must get down to earth at times / Relax, relieve the tension", as Herman Hupfield/'ER MAN, H (UP) 'FELT' inspired to say/'relay' in "As Time Goes By"; "What's in a name?" - 'SI (R FRANCIS BAC) ON': 'THIS HORSE [-MAN/KNIGHT] I CLEAVE'
This probably isn't the right forum for discussing such matters, and I hope I haven't given anyone 'indigestion'!
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@zedvictor4
Complementary female and male aspects can also be found in Rospigliosi's rebus/Poussin's painting of "The Shepherds of Arcadia" (version 2), via the same technique.
Leonardo (da) Vinci died on 2-5, (15) '19 & Pope Clement XI [Giulio Rospigliosi, who was born on Lombardy,] died 'prematurely', aged 69, after a papacy the lasted (not "just coincidentally") 2 years, 5 months & 19 days. While he was an exemplary pope, GR wasn't (strictly speaking) an Orthodox Christian. His Lombardy heritage seems to have influenced his philosophy, and Cathars believed in reincarnation, 'zed'.
P.S. while there's nothing in "the literature" about the cleft images in both versions of "The Shepherds of Arcadia" - which confused me, when I went looking, several years ago - the English devisor of a "two by two" set of texts [that underlie an (ostensibly) French "mystery" [https://www.soulask.com/the-mystery-of-rennes-le-chateau/]: two 'transcriptions' (that both hold encrypted 'messages') & complementary (illustrations of) gravestone inscriptions obviously knew about them.
'REQUIES CATIN / PACE' - a "Solve et Coagula"/'RIP'd' (apart) and re-joined code based on REQUISCAT IN PACE [: REST IN PEACE] (R.I.P.) - can be linked to the CAT [s] IN one cleft of version 1 of "The Shepherds..." & 'PAR [+] LA CROIX ET CE CHEVAL DE DIEU J'ACHEVE CE DAEMON' can be cross-matched with (not only) the HORSE-like figure below an artful allusion to "a great and mysterious sight...in the sky" (Revelations, 12:1), above a set of '12' "Shepherds" & 1 figure set apart, in version 1.
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@zedvictor4
Yes, zed. (re your post of 01.06.20), Io Leonardo's painting of his 'm (us) e'/his 'higher self' (set above the world [re ML being seated above an aerial view of the landscape]) can be deemed "boring", but in a naughty sense! Like "Cavern with Ducks", "Mona Lisa" is a rebus in which Leonardo cryptically 'outed' himself as a man who enjoyed playing the Florentine "game from behind", as did many men of Florence [once a refuge for Cathars, who practiced non-procreative sexual acts, reputedly]. In other words ['suggested' by my (often naughty-minded) 'muse'], sodomy found more than one firm niche in Florence [!].
Take an appropriate image of 'ML' and place next to it (to the right) a horizontally-reversed perspective, and between the backs of the 2 MLs you should be able to see "What's in a cleft behind" [!] (as 'suggested' by J'): the shaft & head of a 'raised up' penis (such as Giacomo Caprotti's, that was oft in Leonardo's cleft behind/backside,) - 'the lay of the land', 'one' could 'say'. So, ML's famous smile can be deemed an "I've got a secret" smirk.
P.S. You might like to start a debate about whether Leonardo was a Cathar, given he was a vegetarian [like the Parfaits], well-versed in his knowledge of Scripture (re [e.g.] Revelations, 14:1 - 4, in which John claimed that the only people who'll be redeemed are those men who have not had sexual relations with women) & he only converted to the Church of Rome's version of Orthodox Christianity on his deathbed.
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